So if we club the “The Bonnie Situation” and the “Prologue and Epilogue – The Diner”, the violence can overtake the story, a factor which Tarantino is aware of. The director seems to balance the violence, crass language and jump shocks by settling them through nonlinear storytelling. His distinctive voice of stylizing violence has become a trademark in his films. Tarantino has grown to be known as an auteur of violence. The two events are important as they set the tone of characterization for Jules. This shift of narrative is important to a Tarantino as the event of “The Diner” focuses on two crucial aspects – the arduous work done by Jules and Vincent to clean up the mess they created by accidentally killing Marvin and Jules’ decision of quitting the business after surviving a shooting. However, as the film further progresses, we get to know that it’s the fifth event of the film. “Honey Bunny”, essayed by Amanda Plummer – a burglar couple. “Pumpkin”, essayed by Tim Roth and Yolanda a.k.a. If we see the film through its visual spectrum, ‘Pulp Fiction’ introduces viewers its first characters – Ringo a.k.a. The film is known for its snappy dialogues, quirky characterization and an overplaying narrative. So, the seven sequences, when ordered chronologically, would run as “4a, 2, 6, 1, 7, 4b, 3, 5”. The director further exploited his narrative style of nonlinearity in ‘Pulp Fiction’. Tarantino used this structuring in his debut flick ‘Reservoir Dogs’ (1992) where the perpetration of the heist was slowly unfolded through a series of multiple flashbacks. Tarantino, gaining reputation for his intricate and quirky writing, brought in what critics call – “Nonlinear narratives”. While directors did employ frame narratives, the complex structuring often made it difficult for them to design the plot. This all changed in the 90s as Quentin Tarantino brought in a new wave of a narrative. This literary technique over a period of time penetrated into other parts of the world, creating works such as Homer’s ‘Odyssey’ and the Middle Eastern folk tales ‘One Thousand and One Nights’.įrame Narrative, while being quite prevalent in literature, did not see much light in cinema. One of the earliest examples of Frame narratives are Sanskrit epics such as ‘Ramayana’, ‘Mahabharata’, and ‘Panchatantra’. Frame narrative has often been applied and experimented in literature. Prelude to “The Gold Watch” (a – flashback, b – present)įrame narrative is a literary technique where one story is divided into multiple stories which gradually and eventually interweave the whole concept.“Vincent Vega and Marsellus Wallace’s Wife”.Prelude to “Vincent Vega and Marsellus Wallace’s Wife”.‘Pulp Fiction’ adopts a “frame narrative” to divide the primary narrative into seven distinctive parts – The film’s celebrated screenplay and narrative structure swept the art of filmmaking breathing new life in independent and parallel cinema and re-inventing postmodern literature. The film’s stinging combination of humour and eye-popping violence earned it a mass following, with many calling it as Tarantino’s cinematic masterpiece. Whether discussing the quality of coffee while disposing off a body or appreciating a burger just before a shooting massacre, ‘Pulp Fiction’ is unsettlingly comical. Throughout the film, the characters engage in a sudden chat, which has often nothing to do with the problematic situation. The film pays an intensive focus on human conversations and the sudden loss of interest of human psychologically. ‘Pulp Fiction’ is the archetypical product of Tarantino. ‘Pulp Fiction’ is a great piece for understanding the relationship shared between popular culture and cinema. His unique style of jumping time frames to structure a coherent story allows the director to indulge in the depths of the criminal world with dexterity. Quentin Tarantino, since his debut in 1992 with ‘Reservoir Dogs’, has come to be known as the leading figure in nonlinear storytelling. Jackson, ‘Pulp Fiction’ is a combination of a coherent screenplay and dynamic performances. A recipient of the prestigious Palme d’Or, the Academy Award for Best Original Screenplay and BAFTA for Best Supporting Actor, received by Samuel L. Often seen as a cultural phenomenon, ‘Pulp Fiction’ swept awards in 1994. Jackson and John Travolta, a boxer, Butch essayed by Bruce Willis, a gangster’s wife, Mia, essayed by Uma Thurman and a pair of diner bandits, Ringo and Yolanda, essayed by Tim Roth and Amanda Plummer, intertwine in four tales of violence and redemption. Co-Written by Quentin Tarantino and Roger Avary, ‘Pulp Fiction’ is a crime film which follows two mob hitmen, Jules and Vincent essayed by Samuel L.
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